1. TARGETED TECHNIQUE TRAINING: MARCH 13-16, 2017
ArtisticSTRONG Small Group Training for ages 9+ (2 levels) with Astrid Sherman, Beverley Bagg & Susie Higgins 2.30 – 4.30pm
- “The death of Port de Bras” – Fixing the “smartphone” generation’s forward head & rolled shoulders with upper body work
- “Turn like a Top” – Learn turning tricks from the pros
- “Higher Legs” – Increase you developpe height & extension
- “Jump like a Star” – Dynamic jumping by looking at footwork and strength
For more information
2. MAINTENANCE TRAINING CLASSES: MARCH 20 -23
Designed to maintain stamina, strength, flexibility and technical achievement especially for those students who have upcoming examinations or performances.
Ages 9+ (Jnr Adv/Inter Found & Inter/Adv), 10.00am – 2.30pm
- Ballet Technique
- Dance Conditioning & Flexibilty
- Contemporary Technique
Program Faculty:Tania Brossoit (RAD Ambassador), Stephana Arnold (National Ballet/ Les Grands Ballets/Ballet BC), Alisha Ahmadi (Pro Arte Graduate, Rambert Ballet School BSC), Susie Higgins (Pro Arte Dance Conditioning/Pilates specialist)
For more information
Pro Arte Half Day Pre-Professional students take Iyengar yoga every 2nd week with Pro Arte’s Yoga Instructor & Nutritionist, Dhana Musil. Today, our Intermediate group did a walking meditation to the river (no speaking) and yoga riverside.
We at Pro Arte feel that the Iyenga philosophy is a wonderful fit with serious dance training for the following of reasons:
- Their teachers are very carefully trained and thus we can be assured and confident when handing over our precious young ballet dancers: Iyengar yoga is one of the few yoga disciplines requiring a minimum of five years of training, the last 3-5 focused directly on the certification process and assessment. The average length of time before certification is eight years because at least two years of study at an advanced level is required before being accepted into the teacher training program. Candidates for certification undergo an assessment process which includes recommendations by mentoring teachers, a review of study and teaching experience, and a comprehensive three part examination.
- The Iyengar style of teaching is marked by precision of alignment in the body, just as classical ballet.
- In addition, Iyengar Yoga is both an art and a science and is at the forefront of research on its use with medical conditions and injuries. Stability, mobility, strength and alignment are combined with the concepts of relaxation and restoration of the nervous system.
Dance has become increasingly athletic. Injury prevention starts from the inside out. Join in on a discussion on the holistic approaches to training a healthy dancer (in mind & body) in today’s competitive world.
How can we as parents provide the support they need?
Mark your calendars and join us on Tuesday March 11th at 7:00pm
Guest Speaker Panel discussion with: Susie Higgins (Pro Arte Pilates and non-practising Phsiotherapist) and Dhana Musil (Pro Arte Nutritionist) moderated by Sarah Ahmadi
Pro Arte Pre-Professional students received a full day workshop with guest teacher “Holistic Ballet” teacher Clare Guss-West ( BHum, , MA, RAD) this past Monday.
Clare began her career as a performer with “Second Stride” dance company and as a choreographer creating works commissioned by The Place, London. Clare choreographed with American composer Philip Glass and became choreographer and director at English National Opera, London. She created productions for The Lyric Opera of Chicago, Los Angeles Opera, Seattle and San Francisco Operas, Netherlands Opera, Wiesbaden & Kiel Operas, Royal Opera House Covent Garden, Sadlers Wells, BBC Proms, Paris Opera Bastille.
As a result of dance injury, her work deepened to include studies in holistic health. In response to her injuries she published her own movement method – ‘The Energy Source’ – simple daily exercise for mind and body vitality – enhancing movement through visualization of energy. This work integrated into productions at ENO, Opera de Paris and the ROH was recognized with a Laurence Olivier nomination for outstanding achievement.
She currently teaches classical & contemporary dance in Switzerland for daily professional training and for the RAD. Her teaching focuses on providing tools to empower dancer’s to promote their own wellbeing for a sustainable career. Her ‘holistic ballet’™approach to training integrates somatic technique, qi gong into ballet class to maximize effectiveness (IADMS, RAD, SOTA & NAFA Academies, Singapore).
She specializes in training ‘dancing longevity’®techniques and the benefits of dance for the elderly (Cannes Dance Festival, IADMS, RAD). Both ‘holistic ballet’™ and ‘dancing longevity’® are new RAD CPD teacher training offerings.
Pro Arte Centre is excited to be the first Vancouver Professional Dance Organisation to join the “The Dancer Wellness Project” http://www.dancerwellnessproject.com/
“This program is a consortium of organizations (professional dance organizations, universities, schools, and medical clinics) that promote dancer health, wellness, education, and research through the implementation of dancer screening, exposure tracking, and injury surveillance. This goal is to promote injury prevention, career longevity, effective and efficient training, and assist dancers, dance educators, and medical care practitioners who interface with dancers. The main goal of the DWP is to provide the technological infrastructures and other resources needed to facilitate and support the myriad projects of participating organizations/affiliates.”
It is a core value that Pro Arte provides a holistic training that is scientifically supported and carefully nurturing. We want our aspiring 12 year olds to be tomorrow’s professionals and not carry injuries that will hinder their adult careers.