2018 Open House

Pro Arte Centre is proud to host our Annual Open House/Parent Viewing Week!  The week of June 25 – 30, 2018, the Centre holds a number of classes that are open to try by our students as well as friends and those who are interested in seeing what is happening at the Centre!  Half-Day, Ballet, Modern, Contemporary, Jazz, Tap, Acro, Hip Hop … it’s all there for students to try!  If you’re not sure what class fits for you, just ask us — email info@proarte.ca or registrar@proarte.ca.

Come and join us for one — two — or even more classes!

Here is the schedule for the week:Open House.jpg

Looking forward to seeing you next week!

2018-19 Faculty Team Announced!

Pro Arte Centre is proud to present an incredible line-up of dedicated and talented faculty who will be working with the students at the Centre this next year.  Representing an incredible breadth and depth of professional experiences, certification and accreditation with renown international dance bodies (ISTD, RAD, IADMS, Vaganova, Cecchetti) as well as commercial experience, the team will bring the best of training to the diverse program offerings at Pro Arte.

Let us introduce them:

Ms. Astrid Sherman, Artistic Director

  • A Fellow of the ISTD Imperial Ballet, Associate in Modern Theatre and Tap, Ms. Astrid’s background as a professional dancer in both a classical ballet setting as well as stage and musical theatre productions provides this community with an artistic direction that understands the importance of the commitment to a strong technique foundation for any work in the professional field.  A member of the Education Committee of IADMS (International Association of Dance Medicine and Science – the leading body internationally for research in the field), Ms. Astrid has presented papers and case studies based on work in dance science and injury prevention/recovery along with Ms. Erika and Ms. Susie in both IADMS international conferences as well as Healthy Dancer Canada.  Her choreography has gained international recognition and she frequently is commissioned to develop work for dancers, in particular, in settings that are collaborations with other leading arts and music organizations.  Ms. Astrid’s work with students for over two decades has seen these artists become professional dancers and choreographers across Canada, North America and Europe.  Her passion is to see the next generation of dancers take their place in the future of dance.  Ms. Astrid is excited to be back in the Studio, working hands-on and mentoring young dancers.

Ms. Beverly Bagg

  • Ms. Bev has performed almost every principal ballerina role in classical ballet and has worked with legendary choreographers world-wide in her professional career.  She has been Ballet Mistress for Ballet BC, Alberta Ballet and continues to teach weekly at Ballet BC and guest teaches at leading dance companies across North America.  A wonderful resource for our students planning to embark on a professional career, Ms. Bev looks forward to investing more of her energy, time, passion and talent in students at Pro Arte in this coming year as she is limiting her work to Pro Arte Centre, Modus Operandi (grad program) and Ballet BC.

Ms. Jocelyn Wozencroft ARAD, BA(Hons) RAD RTS

  • Ms. Jocelyn holds one of the highest standard in teaching with the Royal Academy of Dance and is also an RAD Mentor.  Also coming from a professional performance background, she has taught students to the highest standard, coached students to the BC Provincials on many occasions (2 students this year), taken dancers to the Genees and has mentored students to top post secondary programs and professional ballet companies.  Ms. Jocelyn has a wealth of experience and expertise in working with students of all ages and is eager to transition to work at Pro Arte Centre starting this year.

Ms. Yana Dragueiva BA

  • Ms. Yana continues to be an asset to the students at Pro Arte.  With her background in classical pedagogy and character and training in Vaganova and RAD, she adds much to enrich the training of students.

Ms. Sophia Curalli AISTD (Imperial Ballet) AISTD Dip (Modern) ARAD BBA(ip)

  • Well known in this community for her work in ballet syllabus training and choreography, Ms. Sophia, trained by Ms. Astrid, is also an Associate Diploma in Modern Theatre and is excited to work more with the students at Pro Arte.  She is also a frequent vocal performer with Pandora’s Vox “Espiritu” and also a seasoned professional performing with Theatre Under the Stars beginning in 2015.

Ms. Dawn Rodel

  • A new advocate for the very youngest of our students, Ms. Dawn will be focusing her attention on our pre-junior (Level 1) program.  With a background in Ceccetti and RAD and a strong commitment to good technique but an understanding that those starting in dance training need to have a good balance between training and “fun,” she is well suited to build this program and educate the “beginner parent” on the ins and outs of the dance “world.”  With a diversity of experience in the local and international festival/competitive world, we look forward to seeing these young dancers have a fabulous 2018-19 year!

Ms. Montana Moore BA

  • A graduate of Pro Arte, Ms. Montana has a depth of knowledge in strong dance technique that has been the basis for her work in the commercial dance field.  A frequent performer in commercial and film work and performances and represented by Da Costa Talent Agency, Ms. Montana brings the latest in jazz-funk, contemporary-jazz, lyrical and hip hop and will be continuing to bring her experience to the Pro Arte competitive program.

Ms. Rosie Lewis

  • A human kinetics student, Ms. Rosie, a Pro Arte graduate, has further trained in the Intensive Training Program at Harbour and the UBC Dance Team where she both performed and choreographed works in addition to working with the UBC Cheer Team.  With her background in kinesiology and a CSEP CPT (certified personal trainer), Ms. Rosie is be a keen advocate for body awareness and safe technique in her work with Pro Arte students in contemporary, jazz and lyrical.

Ms. Leah Kos SDTA-Associates, BA, BED, BCDEA

  • Ms. Leah is an accomplished tap teacher who has extensive experience as a performing arts teacher and choreographer who has mentored students from the beginning levels through to those performing at BC Arts Provincials.  With experience as a Co-Artistic Director and Choreographer of a youth company on Vancouver Island, Ms. Leah has toured groups through Los Angeles, New York as well as Island and Lower Mainland events and performances.  She is eager to “step up” the tap program at Pro Arte in this coming year and provide competitive opportunities to students.

Ms. Ashara X

  • Ms. Ashara is a circus performer who specializes in aerial hoop, and is also known to sing as she flies, contorts and balances in the air.  With a background in gymantics, figure skating and cheerleading, Ms. Ashara was trained at Misa a Niveau in the art of the aeriel hoop.  A seasoned acrobatics instructor, Ms. Ashara’s passion is to build the acrobatics/aeriel program at Pro Arte Centre and she is looking forward to bringing her experience and expertise to this community.

 

Stay tuned for more information about our Fall Sessional/Workshop Faculty who will be joining the community to share their expertise and experience in the professional contemporary/modern dance world.

We look forward to welcoming you to Pro Arte Centre this Summer and Fall!

New: The Pro Arté Protégé Program

JodieBeginning in September, 2018, there is a new addition to the Programs at Pro Arte Centre.  Launched with limited student enrollment capacity, the Pro Arte Protégé Program is a Half-Day Program for students who want to focus on independent intensive classical & contemporary ballet training.  This technique intensive program is designed to maximize the success of the individual student in the international scene.

Faculty in this program are Astrid Sherman, Beverley Bagg, Yana Draguieva & Jocelyn Wozencroft (RAD) and various Contemporary/Contemporary Ballet ex Ballet BC dancers and choreographers supported by On-Site Physiotherapist Erika Mayall & On-site Pilates Conditioning Specialist Susie Higgins.

  • Training hours may be done with a commitment to full program training (minimum 20 hour training week is recommended for success) or on a drop-in basis (charges per class are higher).  Class size is limited to 7-9 students in each level and preference will be given to those taking the full program.
  • Students may select to participate in competitive groups, but these are additional charges and hours and are not mandatory.
  • We do recommend that students take additional examination credit classes in the RAD and ISTD methods.
  • Students may perform solos at any festivals/competitions with Pro Arte approval and administration. We do, however, recommend no more than 3 competitions during a training year and that consideration is given to the science for the best training cycle (we want to optimize the peaks and avoid the dips). We also advise that students attend the competitions where Pro Arte Faculty can supply support coaching.  However, parents may take the initiative with Pro Arte approval to participate in festivals at which Pro Arte faculty will not be present.
  • Students may have outside choreographers with approval from Pro Arte – rehearsals will be arranged at Pro Arte studios.  Pro Arte does have a recommended list of industry-recognized choreographers.

This program is by application only and preference will be given to dedicated, focused and determined students.

Note: This program will close to new applications when enrollment has been filled.

Complete your application interest here:  Protege Interest Application

Pearls from Pro Arte: Conditioning Specialist, Susie Higgins, on the common “threads” of dance injuries

Pilates Pearl picThe Professional Program students at Pro Arte Centre are well and truly spoiled with their weekly Pilates and Yoga training in amongst their daily dance specific and foot conditioning. Aside from classical and modified mat work we teach Pilates using small equipment with balls of various sizes, foam rollers, fit rings, rotary discs and resistance bands. We are also fortunate enough to offer the oh so important resistance work using reformers, towers, chair, ladder barrel and small barrel in our spacious and well equipped studio.

With their vigorous training and performance schedule the demands on these talented
growing bodies are high which is the reason we are actively seeking out a preventative
program which will address the common weaknesses , asymmetries and overload injuries we often observe in these aspiring dancers. At Pro Arte,  Pilates is also used as part of the dance screening students received each year, to be on top of growth related weaknesses and any injuries.

The common threads we see with a lot of  injuries can usually be identified from the following and can be easily addressed with holistic ballet training and conditioning classes:
● Standing with the pelvis tilted too far forward and the lower back too arched (used by students who turn their feet out too much and don’t use turnout correctly from the hip and due to the next point…)
● Weak abdominals (hard to believe but sadly true!)
● Tight as well as weak muscles in the spine, pelvis and hips leading to
(amongst lots of other conditions) snapping hips, IT Band Syndrome, Patellar
tendinitis
● Incorrect use of turnout and weak abdominals  – snapping hips, psoas tendinitis
● Weak foot and ankle – leading to rolling over on ankles whether on pointe or
landing from a jump or overuse injuries such as stress fractures in the foot ,
sesamoiditis.
● Poor static as well as dynamic alignment of hips, knees and feet especially in
weight-bearing which affects centre work, turns and jumps.
● Breathholding – often due to a rounded upper back posture (smart phone
generation!), leading to a stiff ribcage and upper back – this often makes the
dancer look stiff and awkward in their movements especially their port de bras, épaulement and facial expressions.

 

Why Should Children Dance?

“Pearls” from Pro Arte: Dance Educator and Artistic Director, Astrid Sherman on her top 5 benefits of dance training for young children

I frequently get asked by parents:  “So — why should I enroll my child in dance?  She/he is already doing a lot of other activities.  Isn’t that enough?”

Good question — that needs a great answer — and here are my top 5!

There are many physical, social developmental & artistic benefits that are inspired from dance training , but my favourite 5 are:

  1. Sparks imagination — creativity and “outside the box thinking” is essential for success — personal, academic and professional
  2. Positive commitment to healthy living — creating a positive, lifelong attitude to staying physically active
  3. Build social skills — group choreography fosters teamwork, communication, trust, confidence and cooperation
  4. Develop positive habits — dance inspires life skills such as discipline, tenacity and commitment
  5. Shape beneficial physical aptitude — establish good posture which encourages spine health for healthy aging

Enroll your child in a dance class today. The lessons learnt will enhance a lifetime!

Picture Credits: Sophie Higgins age 7, now with CatchingART  and working towards her Advanced 2 RAD & ISTD Ballet examinations, photographed by Leighton Matthews

Sophie 2010

 

ArtisticSTRONG Small Group Focused Training

ArtStrong

Wednesday 9th:

  • 11.00 – 1.00pm The death of Port de Bras – Fixing the “smartphone” generation’s forward head & rolled shoulders with upper body work  – Astrid Sherman
  • 1.15 – 3.15pm “Turn like a Top” – Learn turning tricks of the pros – Beverley Bagg

Thursday 10th:

  • 11.00 – 1.00pm “Get those Legs up!” –  Increase you developpe height & extension -Beverley Bagg
  • 1.15 – 3.15pm “Jump like a Star” – Dynamic jumping by looking at footwork and strength- Beverley Bagg

AGES 12+ Intermediate/Advanced

A Look Back at Spring

This Spring, Pro Arte Centre’s Professional Training Program students along with CatchingART Contemporary Ballet Theatre were privileged to be asked to be a part of the Lions Gate Sinfonia’s “Spring At Last” in their 2016-17 Performance Season under the direction of Conductor, Clyde Mitchell. Along with the performance of Beethoven’s Pastoral Symphony, dancers were fortunate to perform both classical and contemporary works from well-known Canadian composers Michael Conway Baker OBC (Pro Arte Centre’s composer-in-residence) as well as Christopher Tyler Nickel.

Enjoy a glimpse of this fabulous show!

Pro Arte Centre July Summer Training

Come train with some of Vancouver’s best and guest teachers from New York, Europe & LA this July!

Week 1 (July 17th – 21st) & Week 2 (July 24th – 28th)

GUEST TEACHERS:

  •  Kara Chan (BFA): Contemporary/Modern –  Kara received her pre-professional training from Pro Arte Centre under the direction of Astrid Sherman. She went on to complete her BFA in Dance at The Juilliard School in New York and is now dancing with the Twyla Tharpe Company.
  • Danielle Gould: Ballet – A past student of Astrid Sherman & Pro Arte Centre, The National Ballet School and Goh Ballet,  Danielle won a full scholarship to the John Cranko Academy in Stuttgart, Germany. She is now currently  dancing with the the Hungarian National Ballet.
  • Barbra Bean (BFA): Pilates Matwork – A former professional dancer, Barbra studied dance at both UC Santa Barbara and UC Irvine. She completed the Teacher Training Program Pilates Method by Diane Diefenderfer and studied extensively with Ron Fletcher. She currently teaches in LA.
  • Desirée Dunbar (MFA): Contemporary/Modern – Desirée is an award-winning choreographer and the creator of gush.com. She is one of the few Canadians to teach the traditional Martha Graham technique and has had the honour of instructing at various schools including Simon Fraser University, University of Arizona, Centre National de la Danse (Paris, France) and Trintity Laban (London, UK). Her company Dezza Dance is Artist-in-Residence with the City of Vancouver.

PRO ARTE FACULTY:

  • Astrid Sherman (FISTD, International Association for Dance Medicine & Science Dance Educators Committee Member): Ballet & Dance Conditioning
  • Stephana Arnold (National Ballet School, soloist Les Grands and Ballet BC): Ballet & Dance Conditioning
  • Tania Brossoit (graduate RAD Academy, England, RAD Ambassador): Ballet & Dance Conditioning
  • Kimberly Dixon (BFA Dance SFU; A.I.S.T.D. (Modern dip): Modern, Improv , Contemporary & Dance Conditioning
  • Sophia Curalli (AISTD Imperial Ballet & Modern): Ballet, Modern & Lyrical

July Summer Faculty Full Bios

July Week 1July Week 2